Act II: Development of Relationships mingled with Husbands and Wives Relationships between characters reanimate a great part in Julius Caesar, the Shakespearean tragedy well-nigh the scheming of Caesars death, which then are channelizen to affect all aspects of papistical life. Some relationships show the c oncealed discord between characters, some show the conniving spirit of those who desire power, fleck another(prenominal)s show how some hearts are devoted only if to the greater good of the republic. The dialogue between Brutus and Portia, along with that of Calphurnia and Caesar, plays a meaning(a) role in the development of the plot. Portia is a symbol of Brutuss subway life, a representative of correct intuition and morality, just as Calphurnia is for Caesar, but they differ in several ways, including to each whizz wifes fears and concerns, each husbands response to the pleas of each wife, the final outcome of the exchange, and both(prenominal) couples hammy function in development of the play. The fears and concerns of Portia and Brutuss reactions are shown once aft(prenominal) the conspirators have left Brutuss house, where Portia becomes apprehensive to the point where she can non report her anxiety. Portia enters later on the end of Brutuss soliloquy, approaching Brutus calmly. He, however, is a endorsement startled at the fact that his wife is awake at this time of night.
Brutus shows his gist for Portia when he says, Portia! What mean you? Wherefore rise up you now? / It is not for your health thus to commit your washed-out condition to the unsanded cold mo rning(2.1. 224-226). Telling Brutus how she ! senses something is bothering him, mayhap a secret he is keeping from her, and knowing that within, he is at contend with himself, she explains that Brutus got out of bed for an unknown reason, and the other night had arisen during suppertime, with... If you involve to get a full essay, consecrate it on our website: BestEssayCheap.com
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